Tuesday, August 24, 2010

How to mic an oboe for experimental/jazz playing

Oboe is a great instrument to experiment with and a difficult instrument to mic.

I suggest going with a Shure SM-57 on a stand in front of you as a good starting point. It’s well matched for woodwind instruments, and will pick up most of what the oboe gives, as long as it’s not too noisy around you.

Direct mics are personal, and the best ones are in the many hundreds of dollars to start. If you’re looking for a natural, organic sound, expect to spend big. If you’re looking for a sound source that can be played with, use a small lavolier mic clipped onto the bell in addition to the SM-57. You can find these online.

The amplifier is a big part of this. Go test them out in a music store, and expect to spend around $200 - $700 for something that will work well with an acoustic instrument. I’m currently using a Line 6 guitar amp, but not satisfied. The best organic sounds come direct to either a recording device, sound system or computer unamplified, in my experience.

The oboe has a lack of attack sounds, which is a big part of what makes sax an exciting improv instrument. When you’re seeking to make fun noise, use guitar pedals that emphasis the attack and wah-wah pedal effects. They add a lot to the tonal possibilities of the oboe. Chorus, reverb and a limiter are prime units to consider as well.

Monday, April 26, 2010

A photo I've been after for a long time!!!

Charlie Ponte on West 48th Street. The guy he sold this sax to brought it back in around 1975, when I was the reed maker there. I was young and foolish and took no photos!!

Friday, March 05, 2010

Loree oboe marked "FL special Model"

Anyone know what the mark FL Special Model means???











Monday, February 08, 2010

Here's an unusual Heckel bocal I can't identify



This bocal arrived with a 4,000 series Heckel bassoon. I haven't seen this marking before. Anyone have any info on this?

It says GN-1 on the inner side of the lower bocal just above the cork.

Wednesday, November 25, 2009

Here's an article about to be published by The Conway Daily Sun

How to prove the reviewer wrong

Very plainly speaking, a review is a personal assessment of a subject, incident, or event by a biased observer. Reviews come in a few different forms. Sometimes it seems, we confuse them and mistake one for the other.

In life, we meet with reviews daily, and we give reviews out freely. Most are silent or personal such as our wisecrack about the driver in front of us who cut us off, or our assessment of someone’s attire that we think is laughable. Not all our reviews are harsh, but certainly, these reviews are not intended to be heard by the person who is the object of our review.

Imagine though if our private thoughts were announced to the community. I think these unrequested assessments could indeed wound and be met with an intense response. If the nasty comments from the other driver were aimed at you, you would probably feel hurt, your pride being scorched - your blood would boil.

Then there's another kind of review - the welcomed review. This assessment given by a professional critic or invited observer is intended to inform others and provide feedback to the reviewed. It's not intended to harm the subject, and it's usually thought out, well composed, and based on a fair amount of experience and insight. Even the best review can have shards of uncomfortable truth in it.

Having put your heart and soul into your work, you have every right to hope that the critic will pay attention and like what they see. Hoping for this is reasonable, expecting it is not.

The review of Narnia by the performing arts critic of this paper was somewhat shocking in the context of the "kid glove" reviews of the past. Rightly so, this newspaper has a policy against reviewing children's performances in an adult context. I assume it's to avoid aiming a review at someone who didn't ask for it. Someone who could not grow from it or appreciate its potential.

Receiving no review is a part of the life of a performer, young or old. Receiving a negative review is a much more challenging part of that life. The shame one feels is real, and is amplified when broadcast to the community at large. To use the review to your own benefit, you have to set out to prove the reviewer wrong. The worse the review, the greater the challenge, and in challenge comes the opportunity for real growth. These kids have nothing to be ashamed of in receiving any kind of review. They have been challenged to excel - to rise up. It is time to prove the reviewer wrong not by harsh words, but by accomplishments.

As parents, we ache to shelter our children from malicious mischief, adult themes, and violence. Slowly, gradually, as they mature, we allow them to bump up against the harder, darker, and more complex parts of life. We want protect our kids and support their growth at the same time and in doing so, may shelter them to their detriment.

Once you've felt the sting of a review, you have been gifted in a singular way. Your mettle is tested, your determination is called upon, and your desire to rise up to the challenges you face has been called forth. There's work to be done, and accomplishments to achieve. Let's listen well to the critics, and prove them wrong when necessary. What you do in response can define your life.

Wednesday, November 18, 2009

Sunday, November 01, 2009

When the audience is ready

Grace happens. So the bumper stickers promise us.

It’s not something you can quest for — the closer you get to what seems like grace, the further it appears to recede. Grace comes to you. You have to be patient, you have to be present, and you have to be willing to witness its existence. Grace in music is found between the notes. It is not the sounds themselves, but the place between the previous note and the next note. Each little gap offers a magical little cubby hole into which you can peer for a brief moment. Most people don’t even notice that it’s there.

I often tell my students to “play between the notes,” which they know to mean that when you intentionally leave one note and strive to arrive at the next, you can fill the in-between space with meaning and intention. That’s what gives the groove its juice and deepens a piece of music to its core. The journey between two notes offers spectacular promise: adventurous diversion from what you think is your goal to a path you never imagined, but now can’t imagine living without. All the while, remember that you cannot fill this space. It’s already full. What you can do is try to witness the content and be willing to be changed by what you find.

The moment comes when the silence becomes the destination and you disappear into the gap between two notes. Entry to that rarified and magical space is not reserved for the few. It’s what music making offers to every player and listener. At every
achievement level, you have the opportunity to examine and live in and be changed by the space between the sounds.

Ultimately, I guess that grace is whatever you decide it is. You decide if you want to bother with it. To you maybe it’s God, or luck, or the Buddha, or a can of tomato soup. I don’t think grace cares. It just is.

I have this talent for making music that’s interesting to listen to. The truth is that while you’re listening to me play, I am trying to be as open as possible to the magic that lies in the grace space between the notes. When I’m open, when the audience is ready — grace happens.

Tuesday, August 25, 2009

Music in the blooming of a century plant . . .

I write music articles published weekly in a local newspaper. I think it might be good to start sharing these with you, as I am starting to like what I'm writing. If you do, too, let me know.

Music in the blooming of a century plant

Starting to play music is easy. Maybe you want to join a rock band or the town band. You figure out how to play something on the guitar or drums and if it's fun -- so you practice. Perhaps you're told to play by a parent: "here's Aunt Bessie's old Flugelhorn - I know you always wanted to play flugelhorn, right? - now make us proud - go practice..."

No matter how you got there, once a level of competence is reached music becomes fairly easy and your playing kind of runs on inertia. Sometimes, maybe most times, it peters out after a while, and you move on to other pursuits.

What turns me on is when adults come back to music after being away for a long time. Perhaps a career in, say, medicine, has kept you busy for a decade or more, and suddenly there's this little tweak in your brain: " I'd like to play again! " If they follow that muse, what happens next is as beautiful as the blooming of a century plant.

I have a student right now who is such a person. She is a well-respected medical professional with what seems like a full life and lots of fun things to do. And yet, almost every week, she comes fully stoked for another oboe lesson, having practiced almost every day and full of ideas and enthusiasm. This "returnee" may never gain great control of her chosen instrument, or she may rise to levels unexpected, but it does not seem to matter to her. And to me, she is the flower of the century plant. Long awaited, beautiful and bursting forth right where it belongs, just when you least expect it.

Some folks choose a career path that blends music into their lives, such as teaching, or business. Others go whole hog right into the meat of it as performers (heaven help them!) However, I suspect that most people are like my student. They carry within them a seed that was planted long ago. A seed of music that is waiting to be nurtured, given fresh soil and tended to - so as to flower.

I’m almost positive that YOU have that in you. Am I wrong? Are you willing to take a look? If you find that it IS there, what will you do with it? I hope you follow the muse. There’s a whole crowd of flowers out here waiting for you to join us.

Friday, December 05, 2008

iPods and Company

I wonder if anyone even visits this blog now that I've been away from it for so long? I've been busy with - well, who knows? Lot's of this and that's.

I have 2 iPods - a big one with video I got when I thought I needed a big one for some reason. It's come in handy when I'm sick in bed and don't feel like lugging the laptop over to watch a movie. I can watch a teeny-weeny movie on it.

I also just got a nano for workouts. I loaded all my workout mixes on it and also the score to the 2006 revival of Sondheim's "Company" which I'm studying. I have the role of "Larry" in an upcoming M&D production. It's been a good long while since I sang in performance, and it feels great to stretch out.

Now it's time to go back to repairing - two oboes are up next, gentle overhauls. See you later.

Monday, June 02, 2008

Does your finger lock up? Mine does

I have these weird thumbs that flex all the way back and double jointed fingers and knucle joints. I had a lot of trouble getting my fingers - especially the third finger on my right hand and the third finger on my left hand to ben correctly. They would sort of lock up and become stiff, making me have toi stop playing and unlocking them.

Last year I was told about a place that makes splints for this, and I just got reminded of it. I don't think I'm going to buy one right now, but they look cool . . . http://www.silverringsplint.com/

Tuesday, May 20, 2008

Popkin Camp starts this weekend

The thirtieth Popkin/Glickman bassoon Camp starts this coming weekend. I (brian) will be there, and if you're coming - well, say hi!

Friday, May 16, 2008

SUMMER BASSOON EXTRAVAGANZA

My good friend Shelly Unger mentioned that there are still a few openings in her amazing camp . . .

SUMMER BASSOON EXTRAVAGANZA
June 22-28, 2008
Atlanta, GA

Summer Bassoon Extravaganza 2008 (June 22-28) is a week-long, stay-over camp hosted by Emory University. This intensive, fun-filled week features master classes, reed-making, bassoon choir (and more) and culminates in performances by faculty and participants. Highly-regarded professional bassoonists/educators lead the week. Guest artist/clinicians include members of the Atlanta Symphony Orchestra.

SBE is ideal for middle and high school bassoonists.

Faculty includes:
Roger Soren
Marita Abner
Jennifer Brinson
Michael Dicker
Shelly Unger
William D. Davis
Juan de Gomar
Laura Najarian
Carl Nitchie
Dr. Scott A. Stewart

Check out the SBE web site at Emory at http://music.emory.edu For additional information contact Shelly Unger at 770.861.6062, shellybassoon@gmail.com To download a registration form http://music.emory.edu/concerts/SBE2008.html

"As a former member of the faculty of this camp, I highly recommend it." Christopher Weait

Tuesday, May 06, 2008

Patrick McFarland English Horn Master Class 2008

I wish I had gone to Pat's Master Class this past April 14th, 15th and 16th. Check his website to see when the next one is. It's sure to be good. Pat is a wonderful teacher, and a funny, funny guy.

My first teacher, pictured below, was Merrill Greenberg, who was a student on Long Island, New York when I was a kid, long before he went to Israel to play EH with the Israeli Phil.

Here are some photos from the Master Class, courtesy of Marsha Burkett.







Merrill Greenberg, Lou Rosenblatt






(Bill Fetcher), Merrill Greenberg, Pat McFarland, Jan Eberle, Tim Clinch






(Mary Abbott), Merrill Greenberg, Pat McFarland, Jan Eberle, Tim Clinch, (Kathy DiCola)

Tuesday, March 11, 2008

I'm a Blogger...?

Jennifer here.

Well, Brian said I should blog about something. So here I am. My first blog post. I really have nothing very interesting to share in my first post. But this is a start.

I have been working here at CDRC for 7 years 5 mos. Back then, when I was told about the job opening, it was described to me as an office worker for a wind instrument company. AWESOME! I love weather! I really dig anemometers! I love going to the top of the highest peak in the northeast and leaning into the wind! Great! I get be part of a scientific company! So much for that thrill.
While I doubt I'll ever learn to play (nevermind learn to read music), it turns out that oboes and bassoons are pretty neat too.

I see websites that have a "chat with a representative" feature and feel like we should offer that here. But those cost money and why not use something free and simple to use. Less direct, but free and uncomplicated.


I have created a Yahoo Messenger ID so interested double reeders can contact someone here via IM. Maybe there is a burning question that needs an answer (related to oboe or bassoon, please). Or an ordering question or concern. I'm not sure how popular this will end up being, but I thought it was worth a try.

So anyone interested in IMing for double reed related issues feel free to add charlesdoublereed to your Yahoo IM list. Please do not contact us through the Yahoo mailing address as it will not be checked regularly.

I'll post something more interesting soon.


Friday, December 28, 2007

Happy New Year

It's been a while - I'm sorry. The move is complete and was easy, though the process is always - shall we say - "stimulating"?

It's a quiet week here in the double reed world, but the snow is falling fast and furious. Another 8 inches expected tonight! Great skiing - really. Come up and see!



A happy New Year to you!

Wednesday, November 07, 2007

The move is in phase two or three



The hardest physical days are over, and now we're setting all the systems up again. There's so much we've gotten used to that will now be analyzed and evaluated for function. It's a golden opportunity for change and growth. Of course, the flip side is that it is emotionally draining and uncomfortable.

We were up and running on Monday afternoon!

Saturday, November 03, 2007

Moving

It's going well so far. As usual, John Cotter is a one-man tornado working beyond the level of mere mortals. Jen and Ty and Zach worked hard all day and we were joined by good friends Mona L'Heureux and Ian Cruickshank, she my student, both of them past climbing guides and just plain fun. Maury McKinney, well known climbing star and competitive swimmer was a big help as well.

It's good to have strong friends!

We intend to have everything operational on Monday...

Wednesday, October 31, 2007

A Little Move "Across the Street"

We're moving to a new location this weekend. There should be no interruption of business.

Our new address is:

2988 White Mountain Highway
PO Box 2120
North Conway, NH 03860

It's about a 3 minute drive from the current shop. Among the nice things about this new space: more light, easier to find, nice retail space up front.

Sorry I haven't blogged in a few months! When we settle in, I'll be back in the groove.

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Wednesday, August 22, 2007

August Vacation


My wife Sarah, son Theo and I just returned from an extended weekend on Hermit Island, Maine. In my old age (I turned 50 last week), I've taken up rock climbing, as evidenced here with Theo patiently waiting above.